Wednesday, March 21, 2012

Write Stuff [19] - The Second Draft Slump


Write Stuff  is based on the Wannabe Writers meme hosted by Sarah at Confessions of the Un-Published. This meme is what prompted me to start Writer Quirk, so I am thankful to Sarah for creating it.


I'm going to stray from the usual format and just talk about what I'm dealing with right now, and that is the second draft slump.


I completed the first draft of my first novel in just over a month. The first 50k words were written during November for my first National Novel Writing Month, and the last 17k over the first week of December. That experience, though not exactly easy, was exhilarating. I had created an actual novel. It had a beginning, a middle, and an end. And despite not being literary gold, true publishable novels are written in revision, right? I'd achieved a goal so I had no doubt that I could conquer my next task.

After completing that first draft, I took some time off from my story to get some distance. During that time I read a lot and studied the craft of writing and devoured the blogs of my favorite YA authors. I came to realize exactly what my first novel was lacking. I already knew it wasn't good (hello, I did have a character named Big Stinky Ugly Smelly Giant Doorkeeper Guy), but I could pinpoint how and why and so when I went back to it, I knew what things needed to change. A lot of this had to do with fleshing out the goals and motivations of my characters. I also, as a pantser, had problems with plot and structure. So instead of going to that next step of revision, I chose the do-over, the rewrite.

And that, my friends, is where I still am. I spent just over a month writing that first draft but have spent the last year rewriting the same story and am only about 65% finished. Granted, I did go to the Masters, plan a wedding, get married, go on a honeymoon, read several books, and participate in another NaNoWriMo during the past year, but I've been working on Draft #2 on and off the whole time.

I'm not trying to be hard on myself. I know what my issue is, and that issue was highlighted when I took an online plotting workshop last month. As a natural pantser, I don't have trouble writing. I have trouble finishing, getting to the end, making everything tie up and make sense. I could probably write novels twice the intended length if I let myself do so.

But not knowing what needs to happen in each scene or chapter has made my process far too lengthy. I'm not going by some industry standards as to how long it should take to write a novel; I just know, for me, if I truly hope to make a career out of this someday, I don't like how long it takes me to get a story written. Not just a story, but an actual needs-revision-not-a-complete-rewrite story. I long to revise as I know revision is something I'm good at (thanks to countless papers and speeches I've revised and edited for friends and family) as well as something I enjoy doing. But I need to have something worth revising.

Taking that plotting workshop really broke down the process of plotting for me, and now I know what I need to do before sitting down to write. I know how long scenes should be; I know where my plot points need to fall; I know how to flesh out my characters and build them up and tear them down. But this knowledge, at the stage I am in with my current draft, is burdensome.

I don't want to leave Draft #2 unfinished. It bothers me to think that I may. But what I think about most often these days is a new draft, one where I take the things I have learned about plotting and put them into practice. I knew several things that needed to change in my story before the workshop, but now I know the best way of using those changes and structuring my story so that when it is done, it will be something worth reading.

Am I wasting my time trying to finish a draft I already know will mostly be discarded? Or am I blinded by the shiny, new incarnation of my story that I see in my future? I don't know. I'm not sure if I'm just being overly sentimental about the idea of "completion" and actually hindering my own progress by continuing on something I know isn't working. At the same time, there may be merit in completing another draft, a lesson of experience, if you will.


There are some other things I know that come into play when trying to make this decision. The first is that Draft #2 is already too long. Since I'm writing a paranormal/urban fantasy YA, my goal word count is 75k. Right now, at 65% of the way through the story, I am only about 3k words away from that goal. If I keep writing, I may wind up with a 100k word draft when I finish. I do not want to write a 400 page novel. That is just not for me, at least not with this story.

The second thing I know is that when I was writing the original (horrible, laughable) draft, there was excitement in the unknown, in seeing things happen and appear out of nowhere. I feel no excitement working on Draft #2. For the most part, it has been tedious and fraught with indecision and uncertainty. I know now that is because I didn't have everything I needed before writing it (a.k.a. plot structure, character goals, etc.).

But when I think about the as-yet-nonexistent Draft #3, I can feel that long lost excitement at the edges of my mind. I don't know why exactly. Maybe it is because I plan on being more plot and less pants for Draft #3 and I've never written that way and I want to see what happens when I do. Maybe I'm just trying to give myself an excuse for quitting on Draft #2.

So my question is, my lovely quirks, what would you do if you were in my situation? Have you been where I am before? Any advice or suggestions? I haven't made up my mind yet what I'm going to do so anything you have to offer will be helpful!

Sunday, March 18, 2012

Quirk Review: The Iron King (The Iron Fey #1) by Julie Kagawa

Meghan Chase has a secret destiny; one she could never have imagined.

Something has always felt slightly off in Meghan's life, ever since her father disappeared before her eyes when she was six. She has never quite fit in at school or at home.

When a dark stranger begins watching her from afar, and her prankster best friend becomes strangely protective of her, Meghan senses that everything she's known is about to change.

But she could never have guessed the truth - that she is the daughter of a mythical faery king and is a pawn in a deadly war. Now Meghan will learn just how far she'll go to save someone she cares about, to stop a mysterious evil no faery creature dare face; and to find love with a young prince who might rather see her dead than let her touch his icy heart.


PREFACE:
I have not had good luck with fey/fairy/faery novels. Every one that I have read has been lacking in some way and I was very near to giving up on the sub-genre altogether. But I kept hearing about Julie Kagawa's Iron Fey series and how amazing it was. So I decided to give The Iron King, the first book in the series, a chance (by selecting it as my suggestion for my book club). Did this fey book suffer a fate like all the others?

Far from it.

WRITING:
I was a little worried when starting this book because the writing seemed a little simple and the characterization of Meghan, the protagonist, slightly stereotypical. But that changed quickly. The more the story goes along, the more Kagawa shows how amazing of a write she is. Her style is humorous and descriptive, giving you everything you need to imagine the events and the fantastical creatures in the story. You see exactly where Meghan is coming from and can relate, even when things get crazy.

The book is also full of action and once things get moving, hardly a moment of downtime. The action is described well, but it isn't overly drawn out. This was one of the things that really made me appreciate Kagawa's storytelling, how she summarizes the the unimportant parts of the story, the boring parts, if you will, and keeps things brief without making the reader feel like things are rushed or being skipped. For instance, every moment of Meghan's school day has no bearing on the story, so we don't go through every class with her. We don't find out exactly what she does moment-for-moment between important events when she's at home. When something exciting happens, we get the event, but it is written pretty true to how Meghan thinks when she's going through it, making it feel quick and immediate. This gave the story a great flow and kept the plot from dragging.

SETTING:
Meghan lives in Louisiana and Kagawa gives you a good sense of the woods Meghan has to walk through on a daily basis and her home life. When it comes to the Nevernever, where much of the book takes place, it is everything fey and amazing and scary that you can imagine. I liked that there was plenty of description without it getting too detailed. A lot is left up to the reader's imagination, which I enjoyed.

There are a few other settings that the characters visit, including a night club run by fey and a park in New Orleans. I liked these locations as well. Kagawa knows how to get the essence of a place across, even one that seems normal, in an interesting and engaging way.

CHARACTERS:
As I mentioned before, Meghan at first seemed a little too much your typical teenager, with a good dose of naivete on the side. But she has one of the best character growth arcs I've seen in YA. She goes from unsuspecting girl to fierce heroine. I really liked her and enjoyed reading from her perspective and seeing her transform. Things are not easier for her, in fact, things get pretty difficult and terrible, and still she keeps fighting and overcomes. I liked how loyal and loving she was to her little brother and how she realizes her mistakes with her parents. She stays true to herself and is girl that keeps her word.

Puck, Meghan's best friend and one of the oldest fey around, was a fun character. He is definitely the trickster kind, but he is loyal to Meghan and you can tell his feelings run deep for her, so it will interesting to see what kind of trouble comes from that in later books.

Despite liking Puck as a character, when it comes to Team Puck versus Team Ash, I am decidedly Team Ash. He's confident, dark, dangerous, and I always enjoy that in a love interest. His personality has layers and he is the hero that is also truly vulnerable, which is something I don't see that often. I also thought the relationship between Ash and Meghan developed in an authentic way.

And while there are many other characters that could be mentioned, I want to shout out my love for just a couple more, the Packrats and Grimalkin. I loved the Packrats and thought they were great and very unique. As for Grim, I'm a cat fan and reading a cat character that talks and is snarky and pretty much says what I imagine my cat thinks all the time? Win.

COOL STUFF:
This book had everything I look for in a YA novel. Action, adventure, mystery, swoon, and a great heroine who I can identify with and admire. I thought the fey aspect of the story would put me off, as it had done in so many other books, but Kagawa did a great job of making the fantastical feel possible.

The other amazing thing about this book is that while it has a lot of typical fey elements, the creatures, the Seelie and Unseelie courts, I was most impressed that Kagaway came up with the Iron Fey. I thought it was incredibly smart and loved how the Nevernever was near the Iron Court. It was so cool to see something so different from your typical fey stories and just made the novel that much better.

VERDICT:
As someone who'd had not-so-great experiences with fey-based novels, The Iron King was way more than I ever expected and is the first fey book I've ever loved. You get your usual fey craziness but with a twist, an admirable heroine, some swoony fey heroes, and tons of action, leading to an amazing ending and (thankfully!) more books. Kagawa really impressed me and I look forward to reading the rest of the Iron Fey series as well as everything else she writes.



Wednesday, March 14, 2012

Quirk Review: Ashes (Ashes Trilogy #1) by Ilsa J. Bick

It could happen tomorrow . . .
An electromagnetic pulse flashes across the sky, destroying every electronic device, wiping out every computerized system, and killing billions.

Alex hiked into the woods to say good-bye to her dead parents and her personal demons. Now desperate to find out what happened after the pulse crushes her to the ground, Alex meets up with Tom—a young soldier—and Ellie, a girl whose grandfather was killed by the EMP.

For this improvised family and the others who are spared, it’s now a question of who can be trusted and who is no longer human.

Author Ilsa J. Bick crafts a terrifying and thrilling novel about a world that could be ours at any moment, where those left standing must learn what it means not just to survive, but to live amidst the devastation.


PREFACE:
I'd seen a lot about Ashes on Twitter, mainly about how good the book was. I'm often wary of dystopian or post-apocalyptic fiction as I don't see the genres as "my thing." This usually boils down to two reasons. One, I can't handle severe amounts of suspense. Two, I don't like hopelessness or too much tragedy. Ashes is a perfect example of why I don't normally pick up anything like this, and yet...

It was an amazing novel.

WRITING:
I've gotten to where I prefer first person point of view, but in Ashes, the story is told from third person limited, the limited being the main protagonist, Alex. I'll admit that it was a little hard to get into at first, mostly because of my aforementioned preference, but also because with third person, it often seems to me that there is too much exposition between the moments of action and dialogue. But once the story got rolling, I didn't have any issue. This novel is action packed and extremely suspenseful. Part of the suspense is because it is in third person and Bick uses the point of view to draw out the tense scenes in a way that puts you on the edge of your seat and keeps you there.

Otherwise, I enjoyed the writing. Bick did well creating the tension. There was a lot of action, something I enjoy, and many twists and turns that kept you guessing. This was the kind of novel that just plops the characters into a world and you watch them survive. It was intense and brutal (sometimes too brutal) but also realistic, which is what made me so terrified most of the time I was reading it. But terrified or not, I couldn't stop reading it.

SETTING:
The setting of the novel is at first a wilderness area in Michigan. Most of the book happens in this place or similar areas. There is some time spent in more urban locations, but everything has been mostly abandoned due to the events mentioned in the synopsis. Later in the novel, there is a town of sorts called Rule, though its of the rustic kind and kept guarded from intruders.

I thought Bick did well with the descriptions, not being overabundant in details but still getting across the atmosphere of each place visited. I felt like I watched this book in my mind while reading it. Maybe it is because of shows like Falling Skies and The Walking Dead (not that I watch either of them, but I've seen stills and clips) and movies of the same nature that it is easy to picture the post-apocalyptic locales easily. Whatever the reason, I saw every event and setting clearly with Bick's writing.

CHARACTERS:
Alex is sort of a conundrum. She was more than a little jaded about life, so she didn't have the sort of warm, likable persona you usually find and connect with in a novel. But the girl is tough and I definitely came to respect her and like her more as the novel went on. The things she goes through, both before the novel and during, would be enough to have me curled up in a little ball and hiding under a rock. But she presses on, even when things go wrong, even when she doesn't want to, even when others make it difficult for her. Her survival instinct was kicked into overdrive and she went with it.

Now I want to address two things about Alex. The first is my own observation. What I'm about to reveal may be a slight spoiler, but you learn about it on page six of the novel, so not much of one, in my opinion. Alex has an inoperable brain tumor. She had decided sometime before the beginning of the novel that she was not going to continue treatments. Basically, she had given up hope of getting rid of the tumor, or rather, resigned herself to her fate. In looking back on this after having finished the book, I wondered why someone who knew she could die any time and had resigned herself to that fate would fight so hard to stay alive.

My conclusion was fourfold. The first answer, in my interpretation, was to find out what happened to the world. I would want to know, whether I was dying or not, what was going on. The second was Ellie. Despite it being easier to leave her behind, Alex did not and chose to take responsibility for Ellie even though she didn't have to.

The third reason is less easily summed up. If it were me, I would want the tumor to take me out, not some mutated human or raider with a gun, so I'd keep fighting until I did die. Basically, the "I'm not dead yet" principle. I think Alex had this mentality. She wasn't dead yet, so she was going to keep on living as best she could, which meant fighting her surroundings and circumstances. The third reason sort of plays into the fourth reason, and that is, at the beginning of the book, Alex makes a statement about taking control of her own life, choosing not to take more treatments, and I think surviving and fighting was her again refusing to let her situation control her.

The second thing I wanted to address about Alex was something I've seen in other reviews. The complaint usually mentions that Alex doesn't really act like a teenager, that she is too grown-up and knows too much about first aid and hunting and science for her character to be a realistic teenager. Some argue that she grew up fast because of the tumor, but then the response is that she didn't get the tumor until after her parents died, which happened when she was about fourteen. Some also say she didn't have enough time with her parents to learn all that she knows in order to survive as she does.

My rebuttal to the complaint that Alex doesn't act like a realistic teen is that, yes, Alex does seem a little grown up, but I didn't not find her to be more so than any person who had gone through what she had. She did grow up more quickly because of her parents' deaths and her tumor. It doesn't really matter what age those things happened as they are profoundly affecting events. Also, for the first major bit of the story, she is with an eight year old girl, so of course Alex would seem like an adult next to Ellie, and most people, when forced with a situation like surviving the apocalypse, will grow up and act more adult. Even Ellie did, because by the end of it I was thinking she was more like twelve even though she was still eight.

My answer to how much Alex could possibly know has to do with how Alex seems to have grown up based on what she says about her past. Alex was an only child that doesn't seem to have had any close friends as none are ever mentioned. I believe she probably hung out with her parents most of the time. We find out that she went camping and hiking a lot with her dad and she talked about medical stuff with her mother, not to mention learning more once she discovered the tumor, so I don't find it odd that she knew quite a bit and was able to use that knowledge to survive. I mean, she had enough knowledge to go on a twelve day solo trip into the wilderness (this is what she is doing at the beginning of the story) so if that was feasible to begin with, the rest doesn't seem out of place to me. Her Aunt Hannah even comments that she is not worried about Alex's competence at what she is doing and is only concerned because of Alex's health regarding the tumor.

Okay, now that that is out of the way, we can move on to the other characters! I liked Ellie and thought she was a well-characterized bratty child that acted out of anger and fear but even so, she had growth as the novel progressed. Tom, when he comes along later, felt very closed off to me and even though we find out stuff about him, he still seemed mysterious. I liked his relationship with Alex and how he acted toward Ellie. Also, I loved Mina. I've grown quite fond of sidekick pets and Mina was a great one.

The cast of characters Alex, Tom, and Ellie run into while trying to survive range from the sad to the scary. I thought all the characters seemed realistic, even when they were being horrible, which again, added to the fear factor in the book. Rule's townsfolk were especially well-done. I was glad that Bick let Alex be a little tortured in the romance department, though things don't really get romantic. Chris was a good character and despite being dark and broody, he felt more open than Tom did, but Chris also didn't seem as brave, so I don't know who I would have Alex choose (if they all survive, that is).

DOWNSIDE:
While I enjoyed this book immensely, I cannot bring myself to love a novel that terrifies me so much. It's not the kind of story I fall in love with, what with so much tragedy and horror and gore and uncertainty. It's true that those things increased the stakes and the tension, so the novel's strength turns out to also be it's weakness when it comes to me.

COOL STUFF:
Other than this being an hang-on-for-the-ride story, there were some specific things I enjoyed. The first is something I've seen a lot of people complain about, which is that the front half of the novel is way more action packed than the last half and many often give separate ratings for each half because it bothers them so much. Not me. I was glad that things slowed down in the later part of the book. I found what was going on during the last half to be really interesting and revealing another aspect of the now broken world, and I needed a break from all the suspense and tension anyway. So while it was unpopular with most, I say kudos to Bick because I liked the book as a whole.

The second cool thing was the slight sci-fi, almost paranormal, element that comes about because of the big bad event. There is a lot of speculation as to why some people were a little different after the event and why some lived and some died and some got changed. I liked the speculation and it made me want to find answers, which commits me to reading the rest of the series.

The third cool thing was something I've mentioned before, the twists and turns. There are many that sort of pop out of nowhere, making me jumpy and expecting the unexpected. And even when I did expect something to happen, I still was surprised. The ending especially had me gaping and wondering when the next book was coming out because I needed to know what happened (no matter how terrifying the ending was).

VERDICT:
Ashes is a well-written post-apocalyptic tale that is chillingly realistic. Full of uncertainty, horror, tragedy, bravery, loyalty, and survival, this novel is the kind that keeps you on the edge and rooting for the characters as they battle their way through a dangerous new world. I will definitely be reading the rest of the trilogy when it comes out and and look forward to finding out the answers to so many questions, even if getting to those answers keeps me up at night.



Saturday, March 10, 2012

Quirk Review: Wake (Dream Catcher #1) by Lisa McMann


For seventeen-year-old Janie, getting sucked into other people's dreams is getting old. Especially the falling dreams, the naked-but-nobody-notices dreams, and the sex-crazed dreams. Janie's seen enough fantasy booty to last her a lifetime.

She can't tell anybody about what she does they'd never believe her, or worse, they'd think she's a freak. So Janie lives on the fringe, cursed with an ability she doesn't want and can’t control.

Then she falls into a gruesome nightmare, one that chills her to the bone. For the first time, Janie is more than a witness to someone else's twisted psyche. She is a participant.




PREFACE:
Like most in the YA community, I'd heard of Lisa McMann and Wake and even about the rumored movie based on the book that may possibly star Miley Cyrus. I thought the premise of Wake was interesting, and after seeing some other recent readers tweet about loving the novel, I decided to finally give it a shot. So was Wake a dream come true?

Not for me.

WRITING:
After reading Wake, I've seen reviews that talk about the choppy sentence structure and unusual way it was written. I listened to the novel on audiobook, and to me, the writing didn't come across as choppy. I don't think it would have bothered  me had I read the physical book. My problem wasn't with the structure of the writing, more with the words chosen.

The writing was what I would call deconstructed. There was no real style, no flare. It was minimalistic, using only the most basic of words and sentences to describe what was going on. Sometimes this works, but coupled with the third person point of view, I didn't like it. Now, I could picture everything easily, but that was because the story was more like a script than a novel to my ears.

Another problem for me was the unnecessary vulgarity. I can handle language in a novel, but only when it is genuine. There were f-bombs and other swear words thrown around all over the place, but it didn't feel like it fit with the characters or most of the situations. It seemed more like the words were there for shock value or to make the story and characters "edgier" or to try to sound like real teenagers, but it didn't feel authentic to me and took me out of the story every time.

Probably the biggest issue for me was the lack of actual plot. I'm not saying things don't happen in this story, and it is interesting to see Janie be in other people's dreams, but there was no driving action or problem that propelled the events forward to a resolution. We start the story by learning about how Janie has been able to see other people's dreams for a long time, so essentially, flashbacks. Then once we get to present day, Janie is just living her life, things and people coming in and out of it, but Janie herself isn't striving for anything other than to stay away from sleeping people during her own waking hours (but that's something she's been dealing with for years, so nothing new for her).

There is the back and forth with the main love interest, Cabel, as she's trying to find out information about him and they start what appears to be an on-again-off-again relationship, but once Janie learns the truth, not much happens with Janie other than personal growth. Same with Janie's friends. They provide situations for Janie to act upon, but Janie herself has little ambition outside of dealing with her dreamcatching ability, and even then, we don't really learn anything about her ability. Now, I'm not against personal growth for characters (far from it!) but in this story, with the other issues I already had, it got old for me. I wanted there to be something driving the action and the characters toward a goal, but it just wasn't there, and what was there was minimal and not exciting.

SETTING:
To be honest, I can't remember the actual location of the story (Goodreads says Michigan) but, as I said above, the writing was simple and descriptive enough that you get a good sense of Janie's surroundings. I didn't think they were terribly enticing surroundings (save outside of Cabel's window, which I thought was kind of funny) but I think that was because the dream settings were usually different and interesting and that seemed to be where most of the exciting things happened.

CHARACTERS:
Janie started out as an okay character. However, with the unnecessary cursing and later random drinking, I didn't like her much. I felt like I should have had some kind of connection with her, but I can go through each reason I should have and see how the story ruined those for me.

First, Janie's mother is a drunk that isn't reliable. But instead of going against her mother's example, Janie drinks whenever she feels like it, which was way more often than I thought reasonable. Second, Janie worked in a nursing home. However, I didn't feel like Janie had any compassion or feelings at all about her work other than it was job to get money for school. Third, Janie came from a humble living environment. But it really got old when she was constantly mentioning the differences in economic status every time she brought up one of the "rich" characters. It made her seem petty more than anything.

As for the love interest, Cabel was pretty good. Due to the misunderstanding that takes place most of the novel, he seems like a jerk for a while, but once its cleared up, you see him in a better light. He is a character that's been through his share of tough stuff, so that makes him more endearing, especially when you find out what he's doing. He did pull off that mysterious air and was definitely the bad boy who's really not bad, which I find appealing.

The other characters didn't make much of an impression on me. Some were like Janie, okay at first then losing their appeal, but mostly they all had roles to play, messed up, and had weird dreams. They didn't feel flat exactly but they weren't compelling either.

DOWNSIDE:
I think I've pretty much covered the downsides already. I'll just add that despite the shortness of the novel, I had to make myself finish it. While there were interesting parts, it felt like a laborious task to get to the end.

COOL STUFF:
Admittedly, what Janie can do is pretty neat. The dreams were sometimes funny, sometimes sad, sometimes gross, but hey, they are dreams, and anything can happen in dreams. But despite all the growth Janie has with her ability, like I said above, we don't really learn anything more about how or why she can do what she does. I've heard that the whole series is kind of about the discovery of this information, but there definitely needs to be some kind of episodic plot in the individual books if the overarching plot is just finding out the hows and whys of one element.

VERDICT:
I definitely had higher hopes for Wake. With the simplified writing, unnecessary swearing, and barely-there plot, I just couldn't get into Janie's story or care what was going to happen, despite the interesting dream ability. Wake is a quick read, and an easy one for those that can overlook the issues, but because of all the problems I had with the first novel, I won't be continuing the Dream Catcher series.



Thursday, March 8, 2012

Giveaway Highlight: Jill Hathaway

Jill Hathaway, author of Slide is giving away lots of goodies 
over at her blog Jill Scribbles.
The Slide prize pack includes books, signed swag, nail polish, and more! 
If you don't know about Slide, check out the description below. 
Then go enter HERE!

Vee Bell is certain of one irrefutable truth—her sister’s friend Sophie didn’t kill herself.
She was murdered.

Vee knows this because she was there. Everyone believes Vee is narcoleptic, but she doesn’t actually fall asleep during these episodes: When she passes out, she slides into somebody else’s mind and experiences the world through that person’s eyes. She’s slid into her sister as she cheated on a math test, into a teacher sneaking a drink before class. She learned the worst about a supposed “friend” when she slid into her during a school dance. But nothing could have prepared Vee for what happens one October night when she slides into the mind of someone holding a bloody knife, standing over Sophie’s slashed body.

Vee desperately wishes she could share her secret, but who would believe her? It sounds so crazy that she can’t bring herself to tell her best friend, Rollins, let alone the police. Even if she could confide in Rollins, he has been acting off lately, more distant, especially now that she’s been spending more time with Zane.

Enmeshed in a terrifying web of secrets, lies, and danger and with no one to turn to, Vee must find a way to unmask the killer before he or she strikes again.

Wednesday, March 7, 2012

Quirk Review: Virals (Virals #1) by Kathy Reichs

Tory Brennan, niece of acclaimed forensic anthropologist Temperance Brennan (of the Bones novels and hit TV show), is the leader of a ragtag band of teenage "sci-philes" who live on a secluded island off the coast of South Carolina. When the group rescues a dog caged for medical testing on a nearby island, they are exposed to an experimental strain of canine parvovirus that changes their lives forever.

As the friends discover their heightened senses and animal-quick reflexes, they must combine their scientific curiosity with their newfound physical gifts to solve a cold-case murder that has suddenly become very hot if they can stay alive long enough to catch the killer's scent.

Fortunately, they are now more than friends; they're a pack. They are Virals
.

 

PREFACE:
I'm a big fan of mystery books and in the past I've read and enjoyed Kathy Reichs' Temperance Brennan novels. So when I heard that she had written a YA novel that was a slight offshoot of that series, I had to read it. Now, it has been a while since I've read any of the books that inspired the TV show Bones, but I remember them being good mysteries with lots of forensic focus and some danger to Brennan as she digs deeper and deeper for clues. So did Reichs' first YA novel live up to her previous work?

Hmm...not really.

WRITING:
The writing in Virals wasn't bad, but it also wasn't what I expected to see in YA. While the story was mainly from the first person, there were third person POVs thrown in there and those in particular were stiff and dry. It felt like a hybrid of the mystery genre and YA instead of one fluid YA mystery.

When it came to the dialogue, it was almost like the characters, mainly the adults, were made into caricatures, being cliche about how much they dislike teenagers or sort-of sounding like cartoon adults. There were also a few times where the teens said things that did not sound genuine or realistic. Part of that, I think, had to do with the fact that the main character, Tory, was actually about fourteen. Most of the time, because of her advanced intellect, Tory sounded like a seventeen or eighteen year old, so when she came out with something juvenile (which usually involved boys and mean girls) I had to remind myself that she wasn't actually that old and maybe a fourteen year old girl would speak that way.

SETTING:
The location of the novel was pretty interesting. Most of the story takes place on a series of islands off the coast of South Carolina, with some of the action taking place in the closest coastal town on the mainland. It was neat to hear about what living on a island with a limited number of residents and accommodations was like and how boats and ferries were the most utilized form of transportation. There was a lot of roaming through the island forests and being on beaches, but even when things were happening in the town, at the library or at the school, the settings were not difficult to picture.

CHARACTERS:
While I didn't dislike any of the main characters, I also didn't really connect with them either. They are four teens that live on an island and go to private school, are unusually intelligent and close-knit to each other, their families, and their home. Tory was the most distinctive because she was the only girl and the POV character, but Ben was also easy to picture because he was the strong, silent type and the most serious of the bunch. It seemed that Reichs was hinting at some possible future romance between those two, and I liked that. The other two, Hiram and Shelton, were good too, except I sometimes got them mixed up because they shared the most similarities.

My only qualm with the main characters was that they seemed incredibly whiny and juvenile on occasion, which is where I think my disconnection came from, but I believe they are supposed to be on the younger side of the teenage spectrum (all high school freshmen, I think) so mostly I overlooked it. I think they all have the potential to grow as characters, so that would be something to hope for in the rest of the series.

The antagonist adult characters were where I really felt the biggest disappointment. I've already mentioned the writing regarding these characters, but everything about them felt overdone and oversimplified. Granted, there was one that was a bit of a surprise at one point, but up until that scene I disliked anything having to do with him. I also disliked the scenes having to do with the other antagonistic characters. Despite the gravity of the situations they put the main characters in, the villains weren't believable because of the over-the-top evilness that seemed to litter their scenes.

DOWNSIDE:
Aside from my problems with the writing and the characters, the other major downfall of this novel was how long it took to get into the mystery of it. There was a lot that had to be shown to get an understanding of who everyone was and where they were and how they lived. I remember from most of my mystery novel readings that sometimes there is a bit of this in the first novel of a series, but often the reader gets to know the main character through their reaction to the mystery and the danger that follows. I wish that had been the case here.

I also thought the added sci-fi/paranormal element that was thrown in there was interesting, but ultimately it didn't entice me as much as the actual mystery. While I normally like paranormal elements in novels, I went into this one looking for the mystery I'd become accustomed to with Reichs other novels. I would have preferred this part taking a back seat with the mystery in the foreground instead of the reverse.

COOL STUFF:
Despite the issues, I did enjoy the promised mystery once it finally came around. There were points where things seemed to come together a little too easily, but at the same time it wasn't so simple as to be unbelievable. I liked the twists Reichs threw in there, and there were several, because those kept the mystery fresh and kept me on my toes wondering where things were headed. The stuff at the end especially was

I also liked the action that happened throughout the story. Action is always a nice addition to a mystery to ratchet up the danger and stakes and there was plenty of it in this novel.

VERDICT:
I would recommend Virals to YA readers who are not accustomed to reading mainstream mysteries. This novel would be a good introduction to that type with the addition of all of the classic YA elements expected without being too foreign to the base audience. But long time fans of the mystery genre might want to take a pass. I think there is potential for this series to improve and the characters to grow, but I was definitely expecting more from a veteran author like Reichs.



Sunday, March 4, 2012

Giveaway Highlight: Book Nerd Reviews

It's that time again!
This month Melissa over at Book Nerd Reviews is giving away one of four of her favorite YA reads so far this year!
The winner will get their choice from the books below.
The giveaway is international and ends March 31st!

Enter HERE!


Saturday, March 3, 2012

Quirk Review: Please Ignore Vera Dietz by A.S. King


Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.

So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to?

Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.


PREFACE:
I had heard exactly two things about this book before deciding to read it. The first was that an author I follow on Twitter (and I can't for the life of me remember which one) said something about it being amazing. The second was that Please Ignore Vera Dietz was a Printz Honor Book for 2011. So I expected a book that was sort-of deep, character driven, and well-written. Did I find what I'd expected?

Yep.

WRITING:
The writing was as good as I had expected. A slightly adult voice from teenager who had experienced some tough stuff and attended a class solely focused on vocabulary would have normally bothered me because I dislike both dumbed-down and pretentious language, but the word choice fit the story and I enjoyed it. The set up was also different, going back and forth between present day and Vera, the main character's, past, with some interjections from The Dead Kid, Vera's dad, and a local landmark. May not make sense just listing the narrators that way, but it was a really cool way to experience the story from more than one angle. All the voices felt distinct and kept things interesting, to say the least.

SETTING:
There were several places in the story that meant something to Vera, and I liked that the contemporary foundation of this story came through in the settings. There was, on occasion, a little over-description, but all in all each place was given a distinct feel that was both familiar and unique to the novel. I had no trouble imagining the settings from Vera's point of view, even when her connection to them or view of them changed.

CHARACTERS:
Vera was a great main character. She was smart, had a mind of her own, and I loved her constant introspection. You can see her grow and change as the present day narrative moves forward, you can understand how she came to be the way she is at the beginning as her past is pieced together. Her complicated feelings and life felt realistic, partly because of the writing and partly because of the arrangement of the story. I felt like most people are that way in their heads, going back over this, arguing with themselves over that, and so on.

When I think about it, most of the main characters, even some who don't actually appear much in the story, are complicated, which again, added to the realism of the story. I liked that they all caused various levels of destruction, had different levels of redemption, and that not all got a happy ending. Charlie was the character you yelled at when you find out about what he did to Vera but still wished things could have been different for him, and Ken, Vera's dad, was the one you rooted for because you see how hard he tries to be a good father even though we also got to see his mistakes.

There was one character I particularly disliked for the things she did in the story and her name was Jenny. You are pretty much supposed to hate her, no question. However, because of the complicated nature of the other characters, I wonder what exactly happened to make her act the way she does in the story. I would like to know if A.S. King came up with a history for her that explained her behavior or if she was just supposed to be awful and that was the end of it. If there was a backstory, it would be interesting to see King do a novel about Jenny, to see her side of things (even though I would probably still hate her).

DOWNSIDE:
While I enjoyed this book a lot, I didn't really connect with it on an emotional level. There was something that created a distance for me and I can't really explain what it was other than to say this story was definitely a "mind" story (as opposed to a "heart" story) for me. I could appreciate the plot, characters, and style but it didn't speak to me personally in a way that drew on my feelings.

My only other qualm was that at the close of the story, there is resolution for Vera, but the reader does not find out the ramifications of Vera's decisions that occur near the end of the novel. We can assume certain things take place, but it was dissatisfying not to see those things happen or have any real confirmation that they would happen. I'm talking about something particular that would spoilery to give more details about, but most who've read the book probably know what I mean (but whether or not this bothered anyone else is another matter).

COOL STUFF:
I want to mention again the arrangement of the novel. It was not straightforward but where that is a downfall for some books, it really worked well in this one. Also, I'm finding that dual or multiple narrators is something I like, and I especially enjoyed it here. Not only were there multiple narrators, but they weren't really your typical multiple narrators (by typical, I mean main character/love interest/bad guy).

I also enjoyed the dark humor and poignant truth expressed through Vera's story. She had a way of being extremely pragmatic, but when she wasn't, it was funny because even then she knew she wasn't being rational or reasonable and went with it anyway. Vera was a very honest character that saw the humor, irony, and tragedy in her life and did something with it.

VERDICT:
Please Ignore Vera Dietz is an original take on contemporary YA. Full of humor and tragedy and a winding narrative told from multiple points of view, Vera's story illustrates the complexities of life and the far reaching consequences actions and decisions can have on multiple lives. Well-written and worthy of its Printz Honor, this book deserves a chance and has a lot to offer most any reader.


Thursday, March 1, 2012

Giveaway Highlight: Julie Kagawa

Win a signed ARC of THE IMMORTAL RULES by Julie Kagawa over at her blog! ENTER HERE!
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